Wednesday, 16 December 2009

AVENUE Q THE MUSICAL

I liked because it cheesy. Obviously. but it went through quite contemporary issues of what it was like to be human. The crowd was more my type. Its really making me want to perform so much. Im going to look into drama classes etc and after third year start some performance art. The thing is u need an audience. well u do with other art too but yea. Im defo defo defo looking into performance. i want to start doing things at private views.


http://www.youtube.com/watch?v=qG6TZieXgA8

It sucks to me be - monsters and humans saying it sucks to be any age - broke, young, old, single, tired.

http://www.youtube.com/watch?v=KBzv6JSm-No&feature=related

Everyones a little bit racist

THE BRITISH MUSEUM - ENLIGHTENMENT SECTION

I BLOODY LOVED THIS ROOM!!!! This was the most exciting thing I'd seen in the week. It was so amazing. I was so inspired by the idea of humans wanting progression and collecting things then looking back at it all and reordering it in order to create an understanding of the past. This is exactly mirrored in my practice. i collect alot of things that have been or are and then i reorder to create something else. I'm going back as soon as I get back. Took alot of photos. I find myself really interested in past and its a neccessity for me to know what has been in order to create the new, or is a new possible? but I feel like there's such a huge scope on everything and it would be impoosible to know everything so once I've collated all this information I'm going to have to pick the stuff I want to talk about and specify so i can really understand the ins and outs of it in order to progress it somewhere. i guess the beauty in my youth is having that advantage of collecting and being to pick anything I want. that how I feel in the British museum like Im in a massive sweet shop.
I love studying humans!!!

An example of postmodernity, a mixture of two types of eras in one within architecture. Quite tradtionally influenced ground with a very modern top. Am starting to notice these little things after reading the pop culture theology.

RIPLEYS BELIEVE IT OR NOT PICADILLY






I found this place very weird. It was entertaining but it was very pop. When getting the photos here it doesnt feel as cinematic when ur in it. The lift was insane. I loved it, it reminded me of piece by Martin Creed. and there was a section with fake water that you could interact with and it swooshed around. i had no idea how it had done that but it was funny that it'sgetting to that stage where we're interacting with fake water. There was also another section where it asked u if could roll ur tongue in the mirror....not knowing that later in course of it u get to watch ppl on the other side rolling their tongue because its a one way mirror. that was the most interesting and fun bit. Also the mirror maze was eeemazing. just as an experience. I want to create or feel that sort of stuff when I look at art. Senseous stuff.
A fucked up bit was when there was a remake of an electric chair with a dummy in and u could pull the lever and watched the dummy shaking and smoke coming out. that was bloody weird. we were watching a fake version of how we kill each other. even though it was a dummy it felt so weird.

MUSUEM OF BRANDS AND ADVERSITING NOTTING HILL











It was interesting to see how the surfaces of our products have changed so rapidly over the years and how things like war etc affect them. E.g now it will be climate change which no doubt change the way we interact with these surfaces on a daily basis whereas before it was the wars. It qwas interesting to see hoovers being introduced etc and it highlighted how comopanys work on the shpaes of their porducts eg coca bottle etc. and oxo paxo etc and naming after birds and stuff. it also showed a range of proudcts fromtnhe 90s to now and you could see how the packaging had dstayed the same. i know it was the right place to go to but i just wasnt sure what to do with the information there. it is amazing though.
Want to go back.




BEARTRIX POTTER BALLET - THE ROYAL OPERA HOUSE




This was my first ever ballet and it was good for two reasons. One because I would never of gone to a ballet without being here, I just wouldnt even think to go and if i had i don't think I would of persued it just because of class. It sounds like im in the dumps about the whole thing but I'm not. It's true and Im not in the dumps I just want to talk about the things I am experiencing which i never would of. I turned up with jeans and t shirt on and I looked like a scruff compared to other people which had dressed up but this was an observation. Im starting to get used to this difference. The crowd was so different to usual people I see. It was like the crowd for fine art. I want to put myself in more of these situations where I experience things I never would of because of class. Its healthy for me and with being with my best friend she gave me the confidence to be okay with who i was.
Secondly and most importantly THE DANCE!! Im really REALLY getting into performance. In a big way. I was interested in the way.....adult humans had used animals to create stories for little children then picked those characters out and made a dance and turned it back into adult enteratinment. Also the use of our relationships with animal movements to create the dances. Taking characteristics of animals to create movements within humans. Very very interesting. Also the set designs and little touches like when the jeremy fisher jumps into the water and he just disappears and massive dust of glitter represents water and cold ice representing water. very very nice. Its all these little things I wanted to write down but couldnt because I had to remind myself that i was on art off mode and this was time to just enjoy. I get frustrated tho. I like writing things down. But very beautiful. Want to to go the nutcracker etc.

BALDESSARI PURE BEAUTY TATE MODERN,


LOVE ELEMENTS OF IT BUT NOT ALL.
USING FOUND IMAGES, NOT INTERESTED IN MAKING A PICTURE OF A GUN, MORE INTERESTED IN THE GUN ITSELF. USE FOUND IMAGERY BECAUSE THEY ALREADY EXIST AND ITS A DIFFERENT BALL GAME TRYING TO MAKE THE PHOTO. THIS IS HOW I WORK.
INTEREST IN THE SKY. I COLLECT SKY.
THE WAY THESE WERE EXHIBITED IN A MASSIVE LINE ALONG WALL. NICE

WHY ARE THESE IMAGES TOGETHER? FILL IN THE GAPS WITH UR HEAD TRIGGERING SUBJECTIVE CONVERSATIONS. LOVE IT!!!!!!!!!!!!!!!





I did really like this exhibition, we are so similar on alot of levels. When I watched the video at the end I understood things alot more and from trying not to take it too seriously I didnt really breathe in alot of it but there were some things I loved. The stickers on important peoples faces and then scaled up was simple and nice. bullets

  • COLOUR CONSISTENCY
  • WORD CHAINS. USING WORDS AS PICUTRES AND OBJECTS. TAKING THAT PRECONCEPTION AWAY.
  • TUNES AS OBJECTS *SINGING THEME TUNES TO ONE BRAND IN ANOTHER BRANDS TUNE*

POP LIFE EXHIBITION TATE MODERN









I LOVE THIS COLLAR!!!!!!!!!!!!!!!!!!!!!!!!!! BUFF




I've been trying to stop taking art exhibitions so seriously. I tend to just quickly go and look, and write sources for material etc. Otherwise I get too bogged down. Its also becoming a bit of a mission to go, I find myself wanting to spend all my time in the studio. HMMM notes anyway.
  • Girls Magazines - How many brands are people wearing.
  • Inflatable Baby
  • LOUD MUSIC - Keith Haurino pop shop - printed on post it notes.
  • Andy Worhol and Jean Michel Basquait portrait photo - one side of his collar is up. I love it.
  • FLASH ART ART FORUM November 1988 Jeff Koons adverts - AMAZING. all came out at the same time.
  • POP TARTS
  • BICKERTON TORMENTED SELF
  • different types of denim - same thing different surfaces. CARPET
  • The scale of Jeff Koon's sex scene - proportion much bigger than us in real life. But not too big, just big enough to look more inviting.
  • TESSA FROM SUNDERLAND.
  • Tracey Emin - My mini retrospective - all her works in small
  • Emin's sketchbook, writing what people had for lunch with her in a cafe
  • Covering all surfaces with the same colour, gold floor, gold walls, gold ceilings.
  • Damien Hirst - Memories of/ Moments with you 2008 - manufactured diamonds. I had only just started thinking about fake diamonds and was realising the difference between cheap jewelery etc. Very interesting,
  • Piotr Uklonski - first Polish artist I have ever seen in tate. or anywhere tbh.
  • Murakami

The Sophie Calle exhibition at Whitechapel Gallery


I didn't get much from it, I thought it was rubbish and obvious. I'm not really sure why, it just seemed kind of obvious. the best bit was when she was having a counseling session with herself and a letter because the guy couldn't be there so it's just her saying and sir what do you think to a piece of paper. Otherwise I understand that their are lots of discourses associated with different jobs and everybody thinks differently and organizes their jobs differently to how they work. I guess it is nice to see how they think and approach things differently but if u were given this letter and 150 professions you could kind of guess what they would do with it. I suppose she had her input into how it was executed on being shown which was nice, I dont know though. I dont know why I didnt like it, it felt really obvious and I go on about art being too elitist but I dont know what Im trying to say. Everyone else is saying it's amazing. Maybe its because they got it. I like mystery when I see things, I like not to get it. I think it's because Im at such an early stage that I kind of dont get alot of it because I dont know all the references etc and my concept base isnt big enough. But I think I love exhibitions the most where I dont understand most of it and just get snippets which let me in. Before I used to not understand any of it, and slowly my profiles getting bigger and bigger and the subjective dialogue is becoming more advanced and complex.....I just felt like Calles exhibtion didnt really leave much for yourself. Yes I feel pain when Im or have dumpd someone.....but I wouldnt really see that approach to it as work. urgh. Maybe its because it was a saturday and loads of people?
It doesnt really show what its like to be human for her. I duno. I havent got enough time to waste typing about it. Average show.

James May's Gigantic Toy programme contact things.







Plasticine used to be grey in Victorian times.
Liverpool street asking people to make stuff out of Plasticine.
Alex Borkwell RHS Flower Chelsea show Head person.
Ardmann animations - wallace and gromitt - Bristol. Chris Entiendwhistle.
Jane McCaden Freud. - daughter of lucian.

Airfix
Kinder egg toys - simplified building. Airfix Hornby HQ spares department. Drawings of planes. Paul Blackmore. The spitfire an icon.
castle bromwich - jaguar car factory systematic working. kids saying their frustrated coz they cant make it. dumbed down. educational fun. disappearing? shorter attention spam?

Quotes about conceptual art and the sort....

Sol LeWitt - "Conceptual art is made to engage the mind of the viewer rather than his eye or emotions."

Marcel Duchamp - 'The Richard Mutt case'

'Society of Independent artists in New York 'Fountain'
'They say any artist paying six dollars may exhibit. Mr Richard Mutt sent in a fountain. Without discussion this article disappeared ad never was exhibited. Wat were the grounds for refusing Mr Mutt's fountain.
1. Some contended it was immoral, vulgar.
2.Others, it was plagiarism, a plain piece of [plumbing.

Whether Mr.Mutt with his own hands had made the fountain or not has no importance. He CHOSE it. He took an ordinary article f life, placed it so that its useful significance disappeared under the new titles and point of view - created a new thought for that object.

Sol LeWitt - 10. Ideas alone can be works of art. They are in a chain of development that evetually find some form. All ideas need not be made physical.

Sol LeWitt - Conceptual art is only good when the idea is good. Space can thought of as the cubic area occupied by a three-dimensional volume. Any volume would occupy space. It is air and cannot be seen. It is the interval between things that can be measured. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfinctory affair. The idea becomes a machine that makes the art.

Al Reidheit? - The one thing to say about art and life is that art is art and life is life, that art is not life and that life is not art. A 'slice of life' art is no netter or no worse than a 'slice of art' life. Fine art is not a 'means of making a living' or 'a way of living a life' and an artist who dedicates his or her life to his art or his art to his life burdens his art with his life and his life with his art.

?? - For the mainstream of modern art, we can postulate a theory that emphasizes the material character of art, a theory according to which a work of art is importantly or significantly, and not just peripherally, a physical object.

Joseph Kosuth - When objcts are presented within the context of art (and untill recently objects always have been used) they are eligable for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object exisiting in the realm of art means that the objects existance or functioning in an art context is irrelevant to the aesthetic judgement.
Aesthetic conciderations are indeed always extraneous to an objects function or 'reason to be' unless of course, that objects 'reason to be' is strictly aesthetic.
An example of a purely aesthetic object is a decorative object, for decorations primary funcation is 'to add something to, so as to make more attractive, adorn, orament and this relates directly to taste. (jeff koons)

??- a work of art should induce a sensation of mathematical order, and the means of inducing this mathematical order, and the means of inducing this mathmatical order should be sought amoung universal means.

Friday, 11 December 2009

the moment truman realizes the sky isnt real.....

That moment when Truman realizes the sky isn't real is similar to last year. what the fuck!? if that was actually real...that feeling he feels, of like everything falling around him psychologically. that internal what the fuckness. im collecting feelings. or moments. experiences.

WHERES WALLY?

Over crowdedness. I dont want to directly reference it but its like over stimulated uneasiness of not being able to see properly from too much visual information. Also the whole micro environment thing and the themes which run within each picture




i don't know why I'm adding this. The claustrophobia in these pictures.