When i came for my interivew at Wimbledon i went into London to see a piece of work by Tara Donovan which i loved. When I went to see it I was really disppointed and made me realise how documentation can affect a piece and how i got more out of seeing it online than i did i real life. This piece by richard wilson was one of these pieces. not that i was dissappointed by it. but i feel in love with it at as very young age thorugh its documentation and it fuelled alot of my reason for living and wanting to create that experience even though i had never exeprienced it. it was trhough pictures.
Knowing it was made from oil i didnt anticipate the smell. I loved the smell.. I thought it was amazing. and the opitcal illusion it was cool. but the channel to go inside was shut off probably for health and saftey and i guess in my head and for every viewer theres a certain sense of missing something by not being able to go. te channel was still there the viewer just wasnt allowed in. which made u feel disappointed. wasnt very cool. I waited for years as well. Would it of been different if i was allowed?
It was beautiful though. and interesting. how the oil didnt ripple and stayed still etc.
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