Wednesday, 16 December 2009

BALDESSARI PURE BEAUTY TATE MODERN,


LOVE ELEMENTS OF IT BUT NOT ALL.
USING FOUND IMAGES, NOT INTERESTED IN MAKING A PICTURE OF A GUN, MORE INTERESTED IN THE GUN ITSELF. USE FOUND IMAGERY BECAUSE THEY ALREADY EXIST AND ITS A DIFFERENT BALL GAME TRYING TO MAKE THE PHOTO. THIS IS HOW I WORK.
INTEREST IN THE SKY. I COLLECT SKY.
THE WAY THESE WERE EXHIBITED IN A MASSIVE LINE ALONG WALL. NICE

WHY ARE THESE IMAGES TOGETHER? FILL IN THE GAPS WITH UR HEAD TRIGGERING SUBJECTIVE CONVERSATIONS. LOVE IT!!!!!!!!!!!!!!!





I did really like this exhibition, we are so similar on alot of levels. When I watched the video at the end I understood things alot more and from trying not to take it too seriously I didnt really breathe in alot of it but there were some things I loved. The stickers on important peoples faces and then scaled up was simple and nice. bullets

  • COLOUR CONSISTENCY
  • WORD CHAINS. USING WORDS AS PICUTRES AND OBJECTS. TAKING THAT PRECONCEPTION AWAY.
  • TUNES AS OBJECTS *SINGING THEME TUNES TO ONE BRAND IN ANOTHER BRANDS TUNE*

POP LIFE EXHIBITION TATE MODERN









I LOVE THIS COLLAR!!!!!!!!!!!!!!!!!!!!!!!!!! BUFF




I've been trying to stop taking art exhibitions so seriously. I tend to just quickly go and look, and write sources for material etc. Otherwise I get too bogged down. Its also becoming a bit of a mission to go, I find myself wanting to spend all my time in the studio. HMMM notes anyway.
  • Girls Magazines - How many brands are people wearing.
  • Inflatable Baby
  • LOUD MUSIC - Keith Haurino pop shop - printed on post it notes.
  • Andy Worhol and Jean Michel Basquait portrait photo - one side of his collar is up. I love it.
  • FLASH ART ART FORUM November 1988 Jeff Koons adverts - AMAZING. all came out at the same time.
  • POP TARTS
  • BICKERTON TORMENTED SELF
  • different types of denim - same thing different surfaces. CARPET
  • The scale of Jeff Koon's sex scene - proportion much bigger than us in real life. But not too big, just big enough to look more inviting.
  • TESSA FROM SUNDERLAND.
  • Tracey Emin - My mini retrospective - all her works in small
  • Emin's sketchbook, writing what people had for lunch with her in a cafe
  • Covering all surfaces with the same colour, gold floor, gold walls, gold ceilings.
  • Damien Hirst - Memories of/ Moments with you 2008 - manufactured diamonds. I had only just started thinking about fake diamonds and was realising the difference between cheap jewelery etc. Very interesting,
  • Piotr Uklonski - first Polish artist I have ever seen in tate. or anywhere tbh.
  • Murakami

The Sophie Calle exhibition at Whitechapel Gallery


I didn't get much from it, I thought it was rubbish and obvious. I'm not really sure why, it just seemed kind of obvious. the best bit was when she was having a counseling session with herself and a letter because the guy couldn't be there so it's just her saying and sir what do you think to a piece of paper. Otherwise I understand that their are lots of discourses associated with different jobs and everybody thinks differently and organizes their jobs differently to how they work. I guess it is nice to see how they think and approach things differently but if u were given this letter and 150 professions you could kind of guess what they would do with it. I suppose she had her input into how it was executed on being shown which was nice, I dont know though. I dont know why I didnt like it, it felt really obvious and I go on about art being too elitist but I dont know what Im trying to say. Everyone else is saying it's amazing. Maybe its because they got it. I like mystery when I see things, I like not to get it. I think it's because Im at such an early stage that I kind of dont get alot of it because I dont know all the references etc and my concept base isnt big enough. But I think I love exhibitions the most where I dont understand most of it and just get snippets which let me in. Before I used to not understand any of it, and slowly my profiles getting bigger and bigger and the subjective dialogue is becoming more advanced and complex.....I just felt like Calles exhibtion didnt really leave much for yourself. Yes I feel pain when Im or have dumpd someone.....but I wouldnt really see that approach to it as work. urgh. Maybe its because it was a saturday and loads of people?
It doesnt really show what its like to be human for her. I duno. I havent got enough time to waste typing about it. Average show.

James May's Gigantic Toy programme contact things.







Plasticine used to be grey in Victorian times.
Liverpool street asking people to make stuff out of Plasticine.
Alex Borkwell RHS Flower Chelsea show Head person.
Ardmann animations - wallace and gromitt - Bristol. Chris Entiendwhistle.
Jane McCaden Freud. - daughter of lucian.

Airfix
Kinder egg toys - simplified building. Airfix Hornby HQ spares department. Drawings of planes. Paul Blackmore. The spitfire an icon.
castle bromwich - jaguar car factory systematic working. kids saying their frustrated coz they cant make it. dumbed down. educational fun. disappearing? shorter attention spam?

Quotes about conceptual art and the sort....

Sol LeWitt - "Conceptual art is made to engage the mind of the viewer rather than his eye or emotions."

Marcel Duchamp - 'The Richard Mutt case'

'Society of Independent artists in New York 'Fountain'
'They say any artist paying six dollars may exhibit. Mr Richard Mutt sent in a fountain. Without discussion this article disappeared ad never was exhibited. Wat were the grounds for refusing Mr Mutt's fountain.
1. Some contended it was immoral, vulgar.
2.Others, it was plagiarism, a plain piece of [plumbing.

Whether Mr.Mutt with his own hands had made the fountain or not has no importance. He CHOSE it. He took an ordinary article f life, placed it so that its useful significance disappeared under the new titles and point of view - created a new thought for that object.

Sol LeWitt - 10. Ideas alone can be works of art. They are in a chain of development that evetually find some form. All ideas need not be made physical.

Sol LeWitt - Conceptual art is only good when the idea is good. Space can thought of as the cubic area occupied by a three-dimensional volume. Any volume would occupy space. It is air and cannot be seen. It is the interval between things that can be measured. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfinctory affair. The idea becomes a machine that makes the art.

Al Reidheit? - The one thing to say about art and life is that art is art and life is life, that art is not life and that life is not art. A 'slice of life' art is no netter or no worse than a 'slice of art' life. Fine art is not a 'means of making a living' or 'a way of living a life' and an artist who dedicates his or her life to his art or his art to his life burdens his art with his life and his life with his art.

?? - For the mainstream of modern art, we can postulate a theory that emphasizes the material character of art, a theory according to which a work of art is importantly or significantly, and not just peripherally, a physical object.

Joseph Kosuth - When objcts are presented within the context of art (and untill recently objects always have been used) they are eligable for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object exisiting in the realm of art means that the objects existance or functioning in an art context is irrelevant to the aesthetic judgement.
Aesthetic conciderations are indeed always extraneous to an objects function or 'reason to be' unless of course, that objects 'reason to be' is strictly aesthetic.
An example of a purely aesthetic object is a decorative object, for decorations primary funcation is 'to add something to, so as to make more attractive, adorn, orament and this relates directly to taste. (jeff koons)

??- a work of art should induce a sensation of mathematical order, and the means of inducing this mathematical order, and the means of inducing this mathmatical order should be sought amoung universal means.

Friday, 11 December 2009

the moment truman realizes the sky isnt real.....

That moment when Truman realizes the sky isn't real is similar to last year. what the fuck!? if that was actually real...that feeling he feels, of like everything falling around him psychologically. that internal what the fuckness. im collecting feelings. or moments. experiences.

WHERES WALLY?

Over crowdedness. I dont want to directly reference it but its like over stimulated uneasiness of not being able to see properly from too much visual information. Also the whole micro environment thing and the themes which run within each picture




i don't know why I'm adding this. The claustrophobia in these pictures.